By Edith Snook
Divided into 3 sections on cosmetics, outfits and hairstyling, this publication explores how early smooth girls seemed good looks tradition and in what ways skin, outfits and hair will be used to symbolize racial, category and gender identities, and to exhibit political, non secular and philosophical beliefs.
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Additional resources for Women, Beauty and Power in Early Modern England: A Feminist Literary History
Com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-04-02 The Beautifying Part of Physic 23 Women, Beauty and Power in Early Modern England as paints themselves. 16 While ‘fucus’ denotes paint, the phrase ‘clear the skinne’ suggests a transformative function more aligned with medicine. Plat’s identification of his source, the professor of art, also connects the product to science or medicine. 17 In recipe books the difference between concoctions that cover the skin and those that preserve and cure it – and thus mobilize the moralized distinction between nature and artifice – are constantly rendered imprecise; pomatums, for instance, both cover and transform.
65 Physic recipes, because they are exchanged, are also traces of knowledge networks that link manuscript and print culture and male and female medical practitioners. Montserrat Cabré shows how women’s medical recipes in Iberia between 1350 and 1650, exchanged in letters and through ‘open’ collections of recipes (compiled by different women over long periods of time), could provide empowering knowledge; recipes could be exchanged as gifts and when the recipe was a secret, used for self-promotion.
53 Two works appended to A Briefe and Necessarie Treatise, Touching the Cure of the Disease called Morbus Gallicus (1585), by William Clowes, defend the use of mercury beyond the treatment of syphilis. John Banester, a master in surgery, writes one of these epilogues. 54 John Woodall’s The Surgions Mate includes a poem, ‘In Laudem Mercurii: Or in Praise of Quicksilver or Mercurie’, which suggests that although mercury makes a patient ‘seeme like death,/with ugly face, with stinking breath’ it soon restores him to health, curing him of pox, gout, leprosy, scabs, itch, wounds and ulcers.
Women, Beauty and Power in Early Modern England: A Feminist Literary History by Edith Snook