By R. Mookerjee
Frequently brushed aside as sensationalist, transgressive fiction is a cosmopolitan circulation with roots in Menippean satire and the Rabelaisian carnal folks sensibility praised through Bakhtin. This research, the 1st of its variety, presents a radical literary heritage and research of key transgressive authors corresponding to Acker, Amis, Carter, Ellis, and Palahniuk.
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Additional info for Transgressive Fiction: The New Satiric Tradition
Ovid’s style, in short, mixes the conversational and formal, phrases borrowed from conversation and literature, with some conventionally poetic diction. The results are concise and witty, and if their inconsistencies amount to a “vulgarization” of Virgil’s epic tradition, this is consistent with the work’s use of folkloric voices as an antidote to the grandiosities of heroic epic. The obscurity of the authorial presence in Menippean satire also has a curious aptness, since folklore properly has no author, nor does the epic mythology we ascribe to Homer.
The following is from Johnson’s A Journey to the Western Islands of Scotland in 1773: Col has many lochs, some of which have trouts and eels, and others have never yet been stocked; another proof of the negligence of the Islanders, who might take fish in the inland waters, when they cannot go to sea. Their quadrupeds are horses, cows, sheep, and goats. They have neither deer, hares, nor rabbits. They have no vermin, except rats, which have been lately brought thither by sea, as to other places; and are free from serpents, frogs, and toads … I know not that I ever heard the wind so loud in any other place; and Mr.
However convincing the beliefs, conventions, and practices that define societies may be, they can be upended by a change in perspective. Lacking a foundational basis, they are a screen that hides man’s primitive nature. Swift exposes the screen by subjecting Gulliver to a series of philosophies and lifestyles that are absurd to us but entirely normal to their proponents. Swift places an enormous emphasis on the role of language in maintaining these systems. Language, therefore, determines our assumptions and reality, blinding us to our own savagery.
Transgressive Fiction: The New Satiric Tradition by R. Mookerjee