By Stefan Kostka
This unmarried quantity covers all of the themes mostly taught in a two-year track concept path. as well as a variety of self-tests and examples, musical illustrations with commentaries, assurance of overdue nineteenth and 20th-century advancements and a significant other workbook, this up-to-date variation encompasses a cassette with a number of the text's musical examples; new routines, summaries and self-tests; and an multiplied supplementations package deal. A learn consultant (0-07-034882-6) and an stronger instructor's guide (0-07-035881-8) with a bankruptcy quiz and solutions to workbook routines also are to be had.
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Extra info for Tonal Harmony: With an Introduction to Twentieth-Century Music
How does otherness factor for Bahamians here? What possibilities (musical, economic, political, and so on) does this performance of localized otherness open up for them? How are the markers of Cuba and Trinidad interpreted by Bahamians, and to what ends and effect is a term like goombay employed at the local level? Take another example from the Bahamas: how do we think through the complexities engendered by a Haitian troubadour (André Toussaint), performing a song written by a New Yorker who often wintered in the Bahamas (Alice Simms), complete with lyrics trading on exoticisms (audiences were encouraged to “beat the drum again, drink the rum again, and do what the natives do”), and doing so from a standing gig in a Nassau nightclub?
New York: Oxford University Press. Kaul, Adam. 2009. Turning the Tune: Traditional Music, Tourism, and Social Change in an Irish Village. New York: Berghahn Books. Lewin, Olive, and Adrienne Kaeppler, eds. 1988. Come Mek Me Hol’ Yu Han’. Jamaica: Jamaica Memory Bank. Mason, Kaley. 2004. ” In Annals of Tourism Research 31(4): 837–854. Moore, Robin. 2006. Music and Revolution: Cultural Change in Socialist Cuba. Berkeley: University of California Press. Minca, Claudio, and Tim Oakes, eds. 2006. Travels in Paradox: Remapping Tourism.
2001. Tide Lines: Music, Tourism, and Cultural Transition in the Whitsunday Islands. Lismore, NSW: Music Archive for the Pacific Press, Southern Cross University. Hellier-Tinoco, Ruth. 2011. Embodying Mexico: Tourism, Nationalism, and Performance. New York: Oxford University Press. Kaul, Adam. 2009. Turning the Tune: Traditional Music, Tourism, and Social Change in an Irish Village. New York: Berghahn Books. Lewin, Olive, and Adrienne Kaeppler, eds. 1988. Come Mek Me Hol’ Yu Han’. Jamaica: Jamaica Memory Bank.
Tonal Harmony: With an Introduction to Twentieth-Century Music by Stefan Kostka