By Arthur Miller
Arthur Miller's performs have held the world's levels for nearly part a century. between them are dying of a salesperson, The Crucible, and All My Sons, that have been learn and played numerous occasions the world over. His memoir, Timebends, exhibits that the lifetime of the guy is as compelling as his performs. With ardour, wit and candour, Miller remembers his youth in Harlem and Brooklyn within the Twenties and the melancholy; his successes and screw ups within the theatre and in Hollywood; the formation of his political views that, twenty years later, introduced him into confrontations with the home Committee of Un-American actions; and his later paintings on behalf of human rights because the president of PEN International.
He writes with amazing belief and tenderness of Marilyn Monroe, his moment spouse, in addition to the host of recognized and notorious that experience intersected together with his adventurous existence. Timebends is Miller's love letter to the 20 th century: its power, its humour, its chaos and ethical struggles.
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Extra resources for Timebends: A Life
Some members of the ‘Circus’ also attended Keynes’s lectures in the 1930s as he started to make what became The General Theory, partly as a response to the criticisms and queries of the ‘Circus’ (and after) but also, and principally, in response to both criticisms by the profession generally and, most crucially, in response to the changed circumstances of the capitalist world as the Great Depression emerged. Not only did Keynes begin to rethink on theory, he also changed his emphasis on policy, becoming more and more sceptical concerning the ability of monetary policy alone to tackle the malfunctioning of the economies of the UK and the US in particular.
In March 1941, she wrote to Kahn that ‘I am now spending my spare time reading Capital. I think it will be fun to lecture on’. And a week later, she again revealed her continuing interest in Marx in another letter to Kahn: ‘These pencil marks are due to a discussion with some young Marxists. There is a lot of excellent stuff in Marx, eg, that the quantity of money is determined by prices, not vice versa. But none of the Marxists seem to understand him’ (RFK\13\90\4\400). In May, she wrote that on her usual Monday night firewatch, ‘I spent the time putting in footnotes to the first chapter of my book on Marx.
Surplus-value is given, but only as an excess of the selling price of commodities over their cost-price. And it remains a mystery where this surplus is originated, whether it is due to the exploitation of labour in the process of production, or to overcharging the purchaser in the process of circulation, or to both. … If the rate of profit is made the point of departure, there is no basis on which to make any conclusions regarding the specific relations between the surplus and the variable capital invested in wages’ (1909b, vol.
Timebends: A Life by Arthur Miller