By Lin Foxhall, John Salmon

ISBN-10: 0415146356

ISBN-13: 9780415146357

Pondering males explores creative and highbrow expression within the classical global because the self illustration of guy. It starts off from the basis that the background of classical antiquity because the ancients inform it's a historical past of fellows. in spite of the fact that, the focal point of this quantity is the production, new version and generation of that male self as offered in language, poetry, drama, philosophical and medical concept and artwork: guy developing himself as topic in classical antiquity and past. This fantastically illustrated quantity, which includes a preface via Nathalie Kampen, presents a thought-provoking and stimulating perception into the representations of fellows in Classical tradition.

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Extra info for Thinking Men: Masculinity and its Self-Representation in the Classical Tradition

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So the parable reinforces the notion of morality as a deliberate choice, exhorting the power of the individual to determine his moral status; to design his own bios. Herakles becomes the effective bearer of the message when reduced to normal human size. He is not solely a convenient feature of the narrative; 1 imagine that the popularity of the parable was due in part to the reinterpretation of its central figure so as to appear relevant and convincing. It is Herakles who bears the burden of communicating moral edification and engaging his readers.

36-7; Zizek 1989; Brennan 1993; Copjec 1994). But if the Real is that which can never be symbolised, it can be understood as that element which grants coherence to the Symbolic, which explains vital features of the constellation of ideological discourses within it. In particular, the Real, while outside our comprehension of ourselves and the world, is the focus for the interplay between desire and fantasy. Desire and fantasy work together to produce a sense of completion and meaning which deny the flaw, the incapacity for our lives to find a fully satisfactory expression.

Exploration of the limits of the self has produced some superlative work: Nussbaum 1986; Padel 1992. Foucault exaggerated the aesthetic, especially in Xenophon, but maybe he was coerced by his methodology into picturing the self from outside. As Foucault saw, you give shape to your own bios, but in Xenophon self-mastery does not seem to be motivated by appeal to an external aesthetic model of the self, so much as to utility to self or state. But I make this point only to highlight the question of how we imagine this moral scheme at work in individuals.

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Thinking Men: Masculinity and its Self-Representation in the Classical Tradition by Lin Foxhall, John Salmon


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