By Burton D. Fisher
A handy and entire pocket-sized consultant to Wagner's THE TWILIGHT of the GODS, the ultimate song drama of the hoop of the NIBELUNG cycle,featuring the tale SYNOPSIS, vital CHARACTERS, and tale NARRATIVE with ONE-BAR tune spotlight EXAMPLES.
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Extra resources for The Twilight of the Gods (Die Gotterdammerung) (Opera Journeys Mini Guide Series)
The ‹rst movement, in binary form, opens with a melody that anticipates the Countess’s aria “Porgi, amor, qualche ristoro” in act 2 of Le nozze di Figaro. The second movement is an energetic sonata-allegro form that sounds more like a typical opening movement. The minuet and trio that forms the present third movement is in the customary A-B-A design. Five of the six subsequent three-movement quartets follow the plan fast, slow, fast or fast, slow, moderate. K. 159 contains three movements in the sequence Andante, Allegro, and Allegro grazioso.
158 in F major in Milan, while composing the opera Lucio Silla. The ‹rst movement is a terse sonata form. The principal theme exploits the alternation between duple and triple subdivision of the beat that was characteristic of the style galant. The exposition of the principal themes is largely the responsibility of the ‹rst violin; however, salient motifs frequently drift into the second violin part and even into the viola and cello parts. When the second violin is not sharing in thematic development, it ‹lls out harmonies with Alberti ‹guration.
His Op. 9 Schobert’s title invites performance either with or without the violin, but he was not alone in allowing such ›exibility: Leopold Kotzeluch (1747–1818), Jan Ladislav Dussek (1760–1812), and many others published pieces with inde‹nite scoring. Some eighteenth-century collections of sonatas combine pieces for keyboard alone with others including added instruments. Marie-Emmanuelle Bayon’s collection of Six sonates pour le clavecin ou le piano forte dont trois avec accompagnement de violon obligé, œuvre 1 (Six sonatas for harpsichord or piano forte, three with obligatory violin accompaniment, Op.
The Twilight of the Gods (Die Gotterdammerung) (Opera Journeys Mini Guide Series) by Burton D. Fisher