By D. Heller
The promoting of 11th of September argues that the promoting and commodification of the terrorist assaults of September eleven, 2001, display the contradictory techniques during which shoppers within the usa (and around the globe) use, converse, and build nationwide id and their feel of nationwide belonging via cultural and symbolic items. individuals light up those methods and make vital connections among myths of state, practices of mourning, theories of trauma, and the politics of post-9/11 client tradition. Their essays take severe inventory of the function that purchaser items, media and press shops, advertisement advertisements, dealers and company public kinfolk have performed in shaping cultural reminiscence of a countrywide tragedy.
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Additional info for The Selling of 9/11: How a National Tragedy Became a Commodity
Giuliani’s view of the site as the center of future memory of September 11 is perhaps more politically pointed than the average media depiction of the site’s sacredness, which tends to focus on a more purely emotional sense of veneration. 34 The editorial is addressed to Larry Silverstein and the Port Authority, the site’s leaseholder and owner, respectively. The article argues against the construction of office or commercial buildings on the site, and includes the following pledge to avoid the use of such buildings if they are constructed: I will never attend a meeting in any building you might construct anywhere on the 16-acre property.
Ibid. 3. Stuart Ewen, All Consuming Images: The Politics of Style in Contemporary Culture. Revised edition (New York: Basic Books, 1988, 1999), p. 268. 4. Such films would include The Day After Tomorrow and The Manchurian Candidate, neither of which, according to op-ed contributor Jon Margolis, would likely influence public opinion in the long term. See “Box Office Campaigns,” New York Times, electronic edition, Tuesday, August 17, 2004. com/. (August 18, 2004). 5. Lauren Berlant and Elizabeth Freeman, “Queer Nationality,” in Fear of a Queer Planet, Michael Warner, ed.
To see this process in action, we must move from the level of media discourse and investigate the ideas and practices of those who visit Ground Zero. ” Responses to this question could be grouped into three rough categories. ” The second answer offers a personal connection to the site. Perhaps the informant knew someone who had died. One middle-aged man from New Jersey accompanied by his wife and child pointed out that his father had been a steelworker, and had helped construct the Twin Towers.
The Selling of 9/11: How a National Tragedy Became a Commodity by D. Heller