By Yasunari Kawabata

ISBN-10: 1593760329

ISBN-13: 9781593760328

The previous Capital is likely one of the 3 novels pointed out particularly via the Nobel Committee after they offered Kawabata the Nobel Prize for Literature in 1968. With the airy tone and aesthetic styling attribute of Kawabata's prose, The outdated Capital tells the tale of Chieko, the followed daughter of a Kyoto kimono fashion designer, Takichiro, and his spouse, Shige.

Set within the conventional urban of Kyoto, Japan, this deeply poetic tale revolves round Chieko who turns into bewildered and stricken as she discovers the real features of her previous. With the concord and normal customs of a eastern backdrop, the tale turns into poignant as Chieko’s longing and confusion develops.

Unfortunately the present model of the booklet in this web site includes a variety of blunders. This proofread variation has been set from the publisher's galley and the unique layout has been retained.

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From the inaugural issue of Bluestocking (September 1911). The translation is from Rebecca Copeland, “Hiratsuka Raicho¯,” in Japanese Women Writers: A Bio-critical Sourcebook, ed. Chieko I. : Greenwood, 1994), pp. 132–143. 2. In the early to mid-Meiji, the terms “keishu¯ ” and “joryu¯ ” (woman’s style) were used interchangeably to define the works of women. But keishu¯ was used with more frequency when referring to women writers collectively. By the end of the Meiji period, joryu¯ replaced keishu¯ in this regard as well, except when critics referred retrospectively to the women writers of the earlier age.

University of Chicago, 1991), p. 93. Sakaki, “Sliding Door,” p. 4. As cited and translated in Tomi Suzuki, Narrating the Self: Fictions of Japanese Modernity (Stanford: Stanford University Press, 1996), p. 24. Akiyama Shun, “Ima joryu¯ bungaku to wa nani ka: Sengo shi to no kanren de,” Kokubungaku kaishaku to ky¯zai o no kenkyu¯ 15 (December 1980): 124–127, as quoted and translated in Joan Ericson, “The Origins of the Concept of Women’s Literature,” in The Woman’s Hand: Gender and Theory in Japanese Women’s Writing, ed.

They were articulate, intellectually curious, and proudly conscious of their need to assert control over their own destiny—both physical and intellectual. Writing, whether or not they took up the brush in a conscious effort to protest, offered these women access to the ever-shifting spheres beyond the ken of family, home, and appropriate social roles. introduction: meiji women writers 25 notes 1. From the inaugural issue of Bluestocking (September 1911). The translation is from Rebecca Copeland, “Hiratsuka Raicho¯,” in Japanese Women Writers: A Bio-critical Sourcebook, ed.

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The Old Capital by Yasunari Kawabata


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