By Paul hemphill
Whereas on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal second within the past due sixties while conventional defenders of the hillbilly roots of kingdom song have been faced by way of the hot impacts and company realities of father song. The demimonde of the normal Nashville venues (Tootsie’s Orchid living room, Robert’s Western global, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are proven entering first touch, if now not clash, with a brand new wave of pop-influenced and enterprise savvy kingdom performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the thankful lifeless) as they took the shape well past tune urban. initially released in 1970, The Nashville Sound indicates the ensuing identification challenge as a desirable, even poignant, second in state track and leisure historical past.
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Additional info for The Nashville Sound: Bright Lights and Country Music
Records and unopened mail and publicity photographs and memos to himself, a chubby little man in sea-blue beltless slacks and a horizontal-striped crewneck short-sleeve shirt, 43 THE NASHVILLE SOUND: BRIGHT LIGHTS AND COUNTRY MUSIC sorting the latest mail like a Vegas gambler dealing cards— one for Jeannie, one for me, one for Jeannie, one for . . and it was absolutely beautiful, the way he never once interrupted his work. "Tell me about Jeannie and 'Harper Valley/ " he was told. " he said. "No.
Then somebody else opened up a sheet-music publishing house. Finally, by the early Fifties, all of the makings of a recording complex were there: publishing 29 THE NASHVILLE SOUND: BRIGHT LIGHTS AND COUNTRY MUSIC houses, competing record-pressing plants, talent agencies, clothiers specializing in show costumes, shops selling guitars and other musical instruments, and even boardinghouses catering to hungry young men fresh in from the country to try their luck at writing and singing country songs.
If it Was simple and moving and earthy, country music borrowed from it. Country music is today, just as it was some 500 years ago, the folks' music. There are as many definitions and opinions of the Nashville Sound as there are variations on it. "The Nashville Sound, if there is such a thing, is a record cut in Nashville that has that relaxed atmosphere," says Hubert Long. "Glen Campbell sounds different. " Campbell himself ("I don't care whether it's country, pop or what, I just want a good song") sees a definite trend away from hard-country: "There'll always be room for a Kitty Wells or a Loretta Lynn or a George Jones, but they'd better be good.
The Nashville Sound: Bright Lights and Country Music by Paul hemphill