By Andrew Radford
The misplaced ladies analyses a few British writers among 1850 and 1940 for whom the parable of Demeter's loss and eventual restoration of her adored daughter Kore-Persephone, swept off in violent and catastrophic captivity via Dis, God of the lifeless, had either large own and aesthetic value. This ebook, as well as scrutinising canonical and no more famous texts by means of male authors comparable to Thomas Hardy, E. M. Forster, and D. H. Lawrence, additionally specializes in unjustly ignored ladies writers - Mary Webb and Mary Butts - who utilised occult tropes to relocate themselves culturally, and particularly in Butts's case to get better and restoration a forgotten legacy, the parable of matriarchal origins. those novelists are put in relation not just to each other but in addition to Victorian archaeologists and particularly to Jane Ellen Harrison (1850-1928), one of many first ladies to differentiate herself within the heritage of British Classical scholarship and whose anthropological method of the learn of early Greek paintings and faith either encouraged - and have become reworked by means of - the literature. instead of delivering a teleological argument that strikes lock-step in the course of the many years, The misplaced ladies proposes chapters that element particular engagements with Demeter-Persephone in which to sign in unique literary-cultural shifts in makes use of of the parable and new insights into the paintings of specific writers.
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Additional resources for The Lost Girls: Demeter-Persephone and the Literary Imagination, 1850-1930. (Textxet Studies in Comparative Literature)
72 Symonds and Ruskin argue that the Persephone myth, as it appears in great literature, is an occult expressive mode that registers unseen correspondences – a mode suited to the experimental artist. 73 For Pater, the grammar of myth is one of mystical clairvoyance, purification and fleeting ecstatic illumination, distilling myriad experiences in an instant of vision. The mysteries of these displaced earth deities are discerned perhaps best by the maverick artist-hierophant, who prepares for them through stoical selfsuppression and unswerving commitment to the arcane rites of craft.
Founded in May 1842, it began publication when Queen Victoria had reigned only five years and it was one of the few general periodicals to consistently report archaeological discoveries as a general practice. It was selling 20 000 copies within six weeks of initial publication and reached a circulation of 250 000 by 1852. See Peter W. Sinnema, The Dynamics of the Pictured Page: Representing the Nation in the ‘Illustrated London News’, 1842-1892 (Aldershot: Ashgate, 1998). 58 E. B. Tylor formulated the anthropological doctrine of ‘survivals’ to denote the ‘processes, customs, opinions, and so forth, which have been carried on by force of habit into a new state of society different from that in which they had their original home, and they thus remain as proofs and examples of an older condition of culture out of which a newer has evolved’.
Both views ultimately represent Pater’s desire for continuity and identification with antiquity, but from different perspectives. 60 Archaeological evidence uncovered in the 1880s and 1890s by Dörpfeld at Athens demonstrated that thousands of years of Greek culture had in fact preceded Periclean Athens. Dörpfeld’s discoveries led Jane Harrison to write her 1890 Myths and Monuments of Athens, the ‘first book of the Cambridge Ritualists’ according to Robert Ackerman, ‘Jane Ellen Harrison: The Early Work’, Greek, Roman, and Byzantine Studies, 13 (1972), 209-30.
The Lost Girls: Demeter-Persephone and the Literary Imagination, 1850-1930. (Textxet Studies in Comparative Literature) by Andrew Radford