By Linda C. Stanley

ISBN-10: 0313308853

ISBN-13: 9780313308857

This bibliography extends the paintings of Stanley's first quantity, The overseas serious attractiveness of F. Scott Fitzgerald: An research and Annotated Bibliography, to the ultimate 20 years of the 20 th century. It contains literature from the previous nations of the USSR, Romania, India, and Canada, in addition to nations that have been lined within the first quantity, corresponding to Britain, France, Italy, Germany, and Japan. one of many significant findings that emerges is that Fitzgerald's poetic prose is very tough to translate, yet new translations proceed to appear.The creation to this quantity presents a synthesis of Fitzgerald scholarship in a foreign country on the flip of the twenty first century and issues to new instructions already urged that could characterize demanding situations to present scholarship. a longer research introduces each one bankruptcy. each one bankruptcy additionally incorporates a chronological checklist of translations and variants of Fitzgerald's paintings from his earliest appearances in print to these showing in 2000. the main large part of every one bankruptcy gains particularly particular annotations of monographs, collections, ebook chapters, essays, convention papers, articles, reports, and college variants. This compilation will intrigue a person the paintings of F. Scott Fitzgerald.

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Extra info for The Foreign Critical Reputation of F. Scott Fitzgerald, 1980-2000: An Analysis and Annotated Bibliography (Bibliographies and Indexes in American Literature)

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Cambridge: Cambridge UP, 2000. xxxi, 398. BOOKS: FULL-LENGTH STUDIES AND COLLECTIONS B23. Bradbury, Malcolm. The Modern American Novel. Oxford: Oxford U. Press, 1992. More than most, Fitzgerald is essentially a social novelist. The historical development of America in the 1920s, moving from glittering excitement to danger, was his own psychiatric curve; the political reassessment of the '30s was the match for his own endeavor to put his spiritual house in order. Such identifications were so potent exactly because Fitzgerald always chose to live them as such, making his literary experimentation part of the period's social and sexual experimentation, making the style of his life an essential component of the style of his art.

2. , 1998. 26. B9. Fitzgerald, F. Scott. Stories ofF. Penguin, 1962-68. Reprinted: Vol. I {The Diamond As Big As the Ritz) 1965, 1967, 1969, (Twentieth Century Classics) 1990; Vol. II {The Crack-Up and Other Stories), 1965, 1968, (Twentieth Century Classics) 1990; Vol. Ill {Pat Hobby Stories) 1967, 1970, 1974, (Twentieth Century Classics) 1992; Vol. IV {Bernice Bobs Her Hair) 1968, 1974, 1989, (Twentieth Century Classics) 1989; Vol. V (The Lost Decade and Other Stories) 1968, (Twentieth Century Classics) 1991.

J. Bruccoli. 4 (Dec. 1987): 575. '" B89. Carabine, Keith. Rev. of Scott Fitzgerald: Crisis in American Identity, by Thomas J. Stavola. The Modern Language Review 76 (1981): 947-8. " Fitzgerald was an Eriksonian because he was aware of how his own and his characters' "identity crises" are complicated by their relation to American culture. " Stavola fails to realize that raw experience of life does not teach an artist how to integrate material into art, and correspondingly, fails to do justice to either Erikson or Fitzgerald.

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The Foreign Critical Reputation of F. Scott Fitzgerald, 1980-2000: An Analysis and Annotated Bibliography (Bibliographies and Indexes in American Literature) by Linda C. Stanley

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