By James L. Neibaur
Born right into a kin of vaudevillians, Buster Keaton made his first movie visual appeal in 1917 on the age of 21. by way of the early Twenties, he had validated himself as one of many geniuses of silent cinema with such movies as Sherlock, Jr. and The Navigator and his 1925 paintings, the final, positioned at quantity 18 within the American movie Institute's ballot of the a hundred maximum positive aspects, the top ranked silent movie at the survey. yet with the appearance of sound within the overdue Nineteen Twenties, silent stars like Keaton started to fall out of style and the nice comedian's profession started to decline. within the Fall of Buster Keaton, James Neibaur assesses Keaton's paintings throughout the conversing photo period, specially these made at M-G-M, academic, and Columbia studios. whereas giving a few cognizance to the early a part of Keaton's profession, Neibaur makes a speciality of Keaton's agreement paintings with the 3 studios, in addition to his next paintings as a gagman, aiding participant, and tv pitchman. The e-book additionally recounts the resurgence of curiosity in Keaton's silent paintings, which ended in an entire life fulfillment Oscar and world wide reputation prior to his loss of life in 1966. This interesting account of an artist's fight and triumph in the course of the more difficult interval of his profession could be of curiosity to a person desirous to know about one in every of film's such a lot influential performers.
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Additional resources for The Fall of Buster Keaton: His Films for M-G-M, Educational Pictures, and Columbia
The Stolen Jools actually has a plot. Eddie Kane plays a detective trying to find Norma Shearer’s missing jewelry, apparently stolen after a Hollywood party. Kane goes about interviewing the various stars who attended the party. The culprit turns out to be child actress Mitzi Green.
Essentially a vaudeville show on film, The Hollywood Revue of 1929 was typical of the type of film that welcomed talking pictures with gusto. In 1925 the Vitaphone sound-on-disc system was introduced to Sam Warner of Warner Bros. studios. This system had been created by Western Electric, using the Audion tube invented in 1906 by Lee de Forest and an electromagnetic photograph reproducer invented in 1913 by Irving B. Crandall and F. W. Kranz. Upon seeing a demonstration of the sound-on-disc system, Sam Warner approved, and the studio created the Vitaphone Corporation on April 20, 1926, taking the name from the recently acquired Vitagraph Company.
Mayer, who did not like them professionally or personally. However, Thalberg was not consistently magnanimous with Keaton. The Cameraman would be the only film where Thalberg would sanction Keaton’s full creativity. The Cameraman was supposed to end with Buster smiling—something Keaton thought would ruin the closing scene. But he was ordered by the studio to do it, and he did. However, Keaton was correct; the sequence went over poorly with test and preview audiences, so it was edited out before the film went into general release.
The Fall of Buster Keaton: His Films for M-G-M, Educational Pictures, and Columbia by James L. Neibaur