By Ian Brown, Thomas Clancy, Susan Manning, Murray Pittock
Those 3 volumes provide a massive reinterpretation, re-assessment, and repositioning of what's arguably Scotland's most vital and influential contribution to global culture-its literature. Drawing at the best possible of contemporary scholarship, this historical past contributes quite a lot of new and interesting insights and gives a clean interpretation of what it potential to be "Scottish." the 1st quantity starts off with a full-scale serious attention of Scotland's earliest literature, drawn from the various cultures and languages of its early peoples. It covers the literature produced in the course of the medieval and early sleek interval in Scotland, surveying the riches of Scottish paintings in Gaelic, Welsh, previous Norse, previous English, and outdated French, in addition to in Latin and Scots. the second one quantity bargains with a interval within which Scotland underwent one of the most dramatic upheavals in its heritage. It unearths how Scottish writers formed the modernity of england, Europe, and the area. The 3rd quantity explores Scottish literature in all its kinds and languages because the finish of worldwide battle I, bringing jointly the easiest modern severe insights from 3 continents.
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Extra resources for The Edinburgh History of Scottish Literature, Volume One: From Columba to the Union (until 1707)
790, and he was followed in the kingship by his brother Óengus and their sons. When Óengus’s son Eóganán was killed in 839, fighting a Viking fleet that had earlier raided in Ireland round the river Liffey, the way was opened for a new chapter in the history of the Scots. The Vikings added to, and were a reason for, the confusion of the ninth century. They appeared in the islands of northern Britain at the end of the eighth century. An Irishman named Dicúil (who might have been a monk at Iona) mentioned the Viking settlements in the northern isles – the Shetlands, Orkneys and Outer Hebrides – in his geography called the Measure of the World (825).
Part of this skewing was the engaging by some in a Golden Age view of earlier literature that risked devaluing and distorting the continuing work of contemporary writers in Gaelic. And, of course, the tumults of the eighteenth- and nineteenth-century history of the Highlands and islands and the changes caused by political and economic developments throughout Scotland all accentuated the power of stereotype formation and the force of resistance to it. Nevertheless, in the mid-nineteenth century, figures like John Francis Campbell of Islay and Donald Campbell, who wrote on the interrelationship of Gaelic language, music and metre, argued for a view that might now be seen as more measured.
Second, study of literature in Gaelic was seen as a function of departments of Celtic. Third, there was the centripetal force that was England’s turning in on itself from the 1930s onwards to insist on the importance of its native traditions. The British Empire’s slow crumbling was accompanied by retreat to increasingly narrower conceptions of what counted as ‘English’, one in which Scottish writers were marginalised because they did not reflect issues in the political and cultural life of England.
The Edinburgh History of Scottish Literature, Volume One: From Columba to the Union (until 1707) by Ian Brown, Thomas Clancy, Susan Manning, Murray Pittock