By Ray Russell
Before The Exorcist and Rosemary’s Baby, there has been The Case opposed to Satan
By the 20th century, the exorcism had all yet vanished, burnt up via smooth technology and psychology. yet Ray Russell—praised via Stephen King and Guillermo del Toro as a cosmopolitan practitioner of Gothic fiction—resurrected the ritual along with his vintage 1962 horror novel, The Case Against Satan, giving new upward thrust to the exorcism on web page, display, or even in genuine life.
Teenager Susan Garth used to be “a clean-talking candy little girl” of highschool age prior to she all started having “fits”—a surprising aversion to church buildings and a newfound fondness for vulgarity. Then one evening, she strips in entrance of the parish priest and sinks her nails into his throat. If now not insanity, then the reply has to be demonic ownership. to conquer the satan, Bishop Crimmings recruits Father Gregory Sargent, a more youthful priest with a flavor for contemporary principles and brandy. As the 2 males struggle not only the darkness tormenting Susan but in addition each other, a soul-chilling revelation lurks within the shadows—one that is aware that the darkest evil is going by way of many names.
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Additional info for The Case Against Satan (Penguin Classics)
Malcolm Bradbury and Richard Ruland are right to observe that the Emersonian poet ‘may seem to create meaning but actually sees through the surfaces that veil it’, since this formulation takes into account Emerson’s belief that meaning is embedded everywhere in the material world. W. Emerson: The Circles of the Eye’ offers an insightful analysis of the notion of the ‘transparent eyeball’, seeing this metaphor not as a static image, but as an act of conversion: ‘It is a conversion of the “I” into the Eye, of the self into the Seer’.
34–35. Legacies 31 The Tower can be regarded as the ultimate ‘empty’ signifier, since the thing it stands for is precisely lack of communication, the inability of language to signify or to convey meaning effectively. However, the Tower does convey meaning, even if this is the unavailability of meaning; in the same way, Auster’s characters embark on quests, looking for signs in the labyrinthine streets of New York, but it is the telling of the quest that matters rather than the question of whether there is meaning to be found.
Richard Howard (Oxford: Blackwell, 1977), p. 47. 26 The World that is the Book mock the original genre – in this case that of the detective novel – but, through a process of defamiliarisation, to startle his readers out of the certainties and assumptions which are formed by the closely defined rules of the genre. The precise methods he employs will be discussed in the pages that follow, but it would be useful at this point to consider Auster’s fiction in the light of genre in general. Auster began his literary career as a poet, but he gave up during the late 1970s; he never denounced his own efforts, or poetry in general, but he felt he needed more scope in his writing: My poems were a quest for what I would call a uni-vocal expression.
The Case Against Satan (Penguin Classics) by Ray Russell