By Wendy Martin

ISBN-10: 0511275382

ISBN-13: 9780511275388

ISBN-10: 0521856701

ISBN-13: 9780521856706

Emily Dickinson is better referred to as an intensely inner most, even reclusive author. but the way in which she has been mythologised has intended her paintings is usually misunderstood. This creation delves in the back of the parable to provide a poet who was once deeply engaged with the problems of her day. In a lucid and chic type, the publication areas her existence and paintings within the ancient context of the Civil conflict, the suffrage stream, and the swift industrialisation of the U.S.. Wendy Martin explores the ways that Dickinson's own struggles with romantic love, non secular religion, friendship and group form her poetry. The complicated e-book background of her works, in addition to their reception, is teased out, and a advisor to additional examining is incorporated. Dickinson emerges not just as one in every of America's most interesting poets, but additionally as a fiercely self sufficient mind and an unique expertise writing poetry some distance sooner than her time.

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Extra resources for The Cambridge Introduction to Emily Dickinson (Cambridge Introductions to Literature)

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Transcendentalism began as a religious movement within the Unitarian Church. Unlike the Puritans, who believed in original sin, a hostile world, and a predestined universe, the Unitarians believed that the world was basically good and that people could attain salvation through good works. Many Transcendentalists were practicing or former Unitarian ministers, including Emerson and Theodore Parker. As the movement grew, it responded to the major national preoccupations of expansionism, industrialization, Abolition, women’s rights, and the Civil War.

On a more serious note, she may have realized that her illness was becoming more severe and that death was calling. Because Dickinson described Called Back as “a haunting story . . ‘greatly Impressive to me,’” it seems appropriate that the phrase should appear in her last known letter and, subsequently, on her gravestone (L 855–6, no. 962). After Emily Dickinson’s death, Lavinia went through her sister’s possessions and found pages and pages of writing – far more than anyone knew existed. Several months after her death, the poems and letters that were Emily Dickinson’s life’s work began a new life of their own.

Although the teenaged Dickinson probably did not consider herself connected to the Seneca Falls women, her developing thoughts about independence, education for women, and sisterhood were in line with theirs. 6 Dickinson knew that suffragists and abolitionists were working together to accomplish similar goals: increased civil rights and liberties for all people. She also followed the advancements in both causes through her father’s political connections and Sue’s willingness to host abolitionists and suffragists at The Evergreens.

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The Cambridge Introduction to Emily Dickinson (Cambridge Introductions to Literature) by Wendy Martin

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