By Roger Moore, Gareth Owen

ISBN-10: 1493015583

ISBN-13: 9781493015580

In a occupation that spans over seven a long time, Roger Moore has been on the very middle of Hollywood. after all, he’s an actor and has starred in motion pictures that experience made him recognized internationally; yet he’s additionally a huge prankster, joker and raconteur. even though he's popular as one of many nicest men within the company, off and on the reveal he has constantly been up for a few fun.

In this awesome choice of real tales from his stellar occupation, Moore lifts the lid at the motion picture company, from Hollywood to Pinewood. One fortunate Bastard beneficial properties outrageous stories from his personal existence and profession in addition to these informed to him by way of a number of stars and filmmakers together with, Tony Curtis, Sean Connery, Michael Caine, David Niven, Frank Sinatra, Gregory Peck, John generators, Peter , Michael Winner, Cubby Broccoli, and lots of extra. splendidly pleasing and laugh-out-loud humorous, those striking stories from the area of the flicks is classic Moore at his best possible.

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Additional info for One Lucky Bastard: Tales from Tinseltown

Sample text

Sit down. ” On screen she appeared palpable, kinetic, “all fire” one witness to the test exclaims. Yet what to make of “Marilyn Monroe” seemed to puzzle both the actress and her studio. In fact, she would not legally change her name for another ten years. Publicity shots of the period 1946–48 reveal nothing about her intense desire to act or about what kinds of roles might suit her. The arbitrariness of the shots is most striking. Monroe is there to make the poses, fulfill the assignments in a makeup session, in a series of yogalike exercises, in skimpy bathing suits, in low-cut evening gowns, in a potato sack, in a babysitting sequence, in an acting lesson, in tights, in sultry poses, night gowns and tee shirts, and playing baseball.

Hyde’s son remembers her at his father’s funeral, where she was overcome with grief, throwing herself on the coffin. She shook everyone, screaming Hyde’s name over and over again. Monroe grieved for him as if for herself. Grief did not prevent Monroe from doing her work, although on the set of her next film, As Young as You Feel, she would weep and disappear from the set, according to her director, Harmon Jones. Just two weeks after Hyde’s death, Elia Kazan’s visit bolstered her. This Group Theatre veteran of the 1930s, an acclaimed film and theater director of the 1940s, liked her unpretentious wit, her reliance on his advice, and her sexual attention.

No wonder she repeatedly drove past the theater featuring her film, for it was like watching the announcement of her new identity—an announcement even more exciting than the fifty-foot tall skirt flying likeness of herself, an advertisement for The Seven Year Itch, that later appeared on the front of the State Theatre Building in New York City. With no more than this token of success in hand, she was forced into other work after the expiration of her Columbia contract on September 8, 1948. ” No one at Columbia pictured her potential, he told interviewer John Kobal.

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One Lucky Bastard: Tales from Tinseltown by Roger Moore, Gareth Owen


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