By Eva Moreda Rodriguez

ISBN-10: 0190215860

ISBN-13: 9780190215866

ISBN-10: 0190215879

ISBN-13: 9780190215873

The early years of the Franco regime observed the formation of a robust governmental propaganda equipment. via expansive press legislation that solidified country regulate over private and non-private media shops alike, the Franco govt without delay motivated what info was once made to be had to the general public. whereas track critics and reporters have been not at all loose from executive keep watch over and path, song feedback less than the Franco regime didn't adhere to any professional occasion "line" on track. certainly, song feedback usually established a range of opinion and ideological trust that runs counter to many universal assumptions approximately journalism less than fascist regimes.

In Music feedback and tune Critics in Early Francoist Spain, Eva Moreda Rodríguez offers a kaleidoscopic portrait of the various and sometimes divergent writings of tune critics within the early years of the Franco regime. even if she doesn't turn away from the thorny problems with propaganda and censorship, Moreda Rodríguez considers different elements that formed the journalistic discourse surrounding song. Political rivalries, ideological variety inside musical "conservatism," in addition to the specific and implicit expectancies of the Franco govt all motivated the varied panorama of track feedback. in addition, the critical matters that tune critics have been excited about in the course of Francoism's early years-modernist track, Spanish early tune, conventional tune, and music's function in organizing the state-had already been on the heart of debates in the press for a number of a long time. conscientiously choosing modern writings by way of famous tune critics, Moreda Rodríguez contextualizes song feedback written in the course of the Franco regime in the broader highbrow background of Spain from the 19th century onwards. the 1st serious learn of the musical press of Francoist Spain within the broader cultural and social textile of the regime, Music feedback and track Critics in Early Francoist Spain is a vital source for musicologists attracted to 20th-century Spain, in addition to Hispanists attracted to the early Franco regime.

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30, 1940, 6. 26. Turina, unpublished diary, Jan. 1–​Dec. 31, 1940, Mar. 2 [FJM, LJT-​M-​Per-​9]; Turina, unpublished diary, Jan. 1–​Dec. 31, 1941, May 12 [FJM, LJT-​M-​Per-​9]. 27. Turina, unpublished diary, Jan. 1–​Dec.  5. 28. Turina, unpublished diary, Jan. 1–​Dec. 31, 1940, Apr. 13 and Nov. 12; Turina, “Y va de cuento,” Dígame, Feb. 15, 1944, 6. H o w t o B e a M u s i c C r i t i c i n 1 9 4 0 s S pa i n [ 37 ] 38 29. Letter from Turina to the Marquis of Lozoya, Oct. 2, 1945, unpublished [FJM, LJT-​Cor-​Tur-​15]; letter from the Marquis of Lozoya to Turina, Oct.

2 [FJM, LJT-​M-​Per-​9]; Turina, unpublished diary, Jan. 1–​Dec. 31, 1941, May 12 [FJM, LJT-​M-​Per-​9]. 27. Turina, unpublished diary, Jan. 1–​Dec.  5. 28. Turina, unpublished diary, Jan. 1–​Dec. 31, 1940, Apr. 13 and Nov. 12; Turina, “Y va de cuento,” Dígame, Feb. 15, 1944, 6. H o w t o B e a M u s i c C r i t i c i n 1 9 4 0 s S pa i n [ 37 ] 38 29. Letter from Turina to the Marquis of Lozoya, Oct. 2, 1945, unpublished [FJM, LJT-​Cor-​Tur-​15]; letter from the Marquis of Lozoya to Turina, Oct.

1 (1944), 3. 68. Anonymous, “Editorial,” Música. Revista Quincenal, no. 22 (1946), 3. 69. Arturo Menéndez Aleyxandre, “Cultura Musical,” Ritmo, no. 223 (1949), 4. 70. Antonio Fernández-​Cid, Panorama de la música en España (Madrid: Espasa-​Calpe, 1949), 267–​268. H o w t o B e a M u s i c C r i t i c i n 1 9 4 0 s S pa i n [ 39 ] 40 71. Gerardo Diego, Joaquín Rodrigo, and Federico Sopeña, Diez años de música en España (Madrid: Espasa Calpe, 1949), 70. Although the book was jointly credited to Diego, Rodrigo, and Sopeña, differences in the writing style and approach suggest that Sopeña wrote the chapter on composition and Rodrigo the chapter on performance, with Diego in charge of music criticism and musicology.

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Music criticism and music critics in early Francoist Spain by Eva Moreda Rodriguez


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