By Jack London
The semiautobiographical Martin Eden is the main very important and unique personality Jack London ever created. Set in San Francisco, this can be the tale of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, goals of schooling and literary status. London, disenchanted with the rewards of his personal good fortune, meant Martin Eden as an assault on individualism and a feedback of ambition; although, a lot of its prestige as a vintage has been conferred via admirers of its bold protagonist. Andrew Sinclair's wide-ranging creation discusses the clash among London's aid of socialism and his strong self-will. Sinclair additionally explores the parallels and divergences among the lifetime of Martin Eden and that of his author, targeting London's psychological depressions and the way they affected his depiction of Eden.
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Additional info for Martin Eden
It would not be hard to show that many elements of the story, such as the uncanny appearance of the spectre, are fantastic, 42 Nineteenth-Century Suspense but, as stressed at the beginning, the text is somehow already fantastic be fore its fantastic characteristics can be listed. Furthermore, it is possible to discover fantastic characteristics in a text which is not fantastic. If fantasy is defined as the indefinite deferral of meaning, then 'The Signalman' is not part of fantastic literature, for there is no meaning for it to defer.
Consequently he becomes a form of capital (a capital fellow) by associating with the narrator, who talks of 'feeling that the society of such a man would be to [hirn] a treasure beyond price'. The capitalist names his price as he is excused from any price ('beyond price'). Thus, here the speculator becomes the very symbol of wealth that accumulates as if by magie, on its own and for its own sake. Yet in accumulating it helps pay off the speculator's creditors Le Bon ('Rue Morgue') and the 'Minister 0-' ('The Purloined Letter').
The condition of feeling responsible or guilty for astate of affairs 36 Nineteenth-Century Suspense without actually being responsible for it is a common one in Dickens's work and it sterns from his experience at Warren's blacking factory. It is clear from his writing on this subject that Dickens saw hirnself as a victim, a gifted and. sensitive child abandoned by his parents. However, he also refers to hirnself as a 'small Cain',l0 as if he were to some extent responsible for the position in which he found hirnself.
Martin Eden by Jack London