By James H. Johnson
Drawing from quite a lot of sources—novels, memoirs, police records, own correspondence, newspaper stories, architectural plans, and the like—Johnson brings the performances to existence: the hubbub of eighteenth-century opera, the exuberance of innovative audiences, Napoleon's musical authoritarianism, the bourgeoisie's well mannered attention. He singles out the song of Gluck, Haydn, Rossini, and Beethoven as in particular very important in forging new methods of listening to. This book's theoretical side will entice cultural and highbrow historians in lots of fields and periods.
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Additional resources for Listening in Paris: A Cultural History (Studies on the History of Society and Culture)
While the future would embarrass her naIvete, the contemporary moment had certainly ennobled it. Romance was the irreducible element that kept Panther mystique going. Even if one extends the meaning of the word to include Afeni's personal affections, romance never is far off the mark of the political nature of people's lives. That's what makes 'Smilin' Faces (Sometimes), so uncannily expressive. The intricacy of Afeni Shakur's love life - co-parenting with Billy Garland, co-habitating with Panther Lumumba Shakur and later with the mysterious drug dealer Legs - suggests a particular neo-democratic, libertarian turmoil.
That letter proved somebody in the New York 21 had verbal skills, and used them to express the same internal struggle between pretense and sincere despair that echoes in: The truth is in my eyes Cuz my eyes don't lie Amen Remember, a smile is just a frown TuYlted upside down My friend That combination was both poignant and naIve in the latePanther days, when Black youth was primed to act on the need for social change. Student protest was a sign of this urge - it wasn't just for college-privileged whites.
Father, friend, comrade; is how he described his relationship to Tupac. ' Histories, examples and anecdotes were passed. 'He taught me important things about loyalty, about fighting, about beliefs. All the stuff a young nigga need to know not to fall for the shit waitin' out here. ' And relating. ' Following Mutulu's incarceration, this private tragedy fanned outward. Shakur, Shakur, Shakur, Shakur. Said aloud, the name suggests a litany of cultural ambition, the coming together of heroic beliefs in an extended family, a nuclear community.
Listening in Paris: A Cultural History (Studies on the History of Society and Culture) by James H. Johnson