Keyboard journal is that initially lined digital keyboard tools and keyboardists, although with the arrival of machine established recording and audio know-how, they've got further electronic track expertise to their common assurance, together with these no longer strictly referring to the keyboard comparable tools.

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Extra info for Keyboard (January 2014)

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The CP4 has that convincing combination of resistance and playability that makes real pianos so pleasing. While some players thought the key dip on the CP1 and CP5 was too shallow, under my fingers the CP4 felt uncannily like a real piano. There’s no aftertouch, but for most applications this won’t be a deal-breaker. Architecture Unlike Yamaha synths and workstations (like the Motif and S-series), the CP4 has no separate “User Voice” mode for single sound programs. All data are stored in a Performance (multitimbral setup).

Additionally, the arcane FF1, FF2, and FB types have been replaced by the ability to switch the envelope response between logarithmic and linear. There’s a wet/dry knob like in Glue, so parallel compression is a breeze here as well. EQ Eight also gets a makeover that’s more intuitive and musical. It now includes an integrated spectrum analyzer that lets you quickly pinpoint frequency ranges that require attention. You can also pop the EQ into a larger window for more precise mouse control of your EQ bands.

JN121138 REVIEW DAW » PAD CO NTRO L » STAG E PIANO » CON TR OLLER » A N A LOG SYN TH » DR UM LI B RA RY » A PP YAMAHA CP4 Stage BY JON REGEN WHEN IT COMES TO YAMAHA DIGITAL PIANOS, I’VE PLAYED MORE THAN MY fair share. There was the Clavinova CLP-300 on which I made my audition tape for the Eastman School of Music and the Yamaha P200 I used on my first recording gig. I’ve played tiny European jazz clubs with the P95, and the 2,000-seat Shepherd’s Bush Empire in London with the CP300. Until recently, I used a CP33 as my go-to portable, preferring it to more recent stage pianos for its near perfect pairing of touch, tone, and un-terrifying weight.

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Keyboard (January 2014)

by James

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