By D. Brown
The booklet examines key texts via the writers James Joyce, Wyndham Lewis, Ezra Pound and T.S.Eliot as strikes inside of a shared group-game, that of constructing a brand new literature for the hot Age. It maps loads of intertextual reference, allusions and impression and indicates a psychoanalytically-informed speculation that definite literature might be constituted a species of interpersonal groupwork. It demonstrates how the center grouping inside literary Modernism built and experimental discourse via mutual contention and sharing. And it describes assorted team roles, contributions and adjustments of emphasis inside an total venture stretching from 1914 into the Fifties.
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Extra info for Intertextual Dynamics within the Literary Group - Joyce, Lewis, Pound and Eliot: The Men of 1914
The real tension here, then, is less between the defensive character and the 'lady' than between self-parts of the dramatic speaker. ') and so manifests both the relativism and the psychoanalytic preoccupations of the new century. ) commitment to another self, reconsidered in the sort of temporal limbo which will characterise the world of Prufrock. ' The poem breaks down rationalist progression to suggest that the new poetry must be constructed as a species of collage. Yet so far the reflective context holds all in place - as it wUl do in Eliot's poetry until The Waste Land.
I don't even draw the disease usually. '42 If this is a description difficult to relate to the poems Pound had actually written at that time, there is no doubt that this 'symptomatic' ideal was what he aspired to, and in essential ways had achieved by 'Hugh Selwyn Mauberley' (1920). Poetry was to have a major intellectual function in expressing actual social and cultural conditions in the contemporary world - to provide 'data' to equip the current 'mind of Europe'. In BLAST 1 Lewis apostrophised the intellectual function of writing in terms of a more dynamic model: 'Blast sets out to be an avenue for all those vivid and violent ideas that could reach the Public in no other way';43 but in his statement on satiric method (not published until 1917) his cold impersonality is similar to Pound's ideal: 'Moran, Bestre and Brobdingnag are essays in a new human mathematic.
BLAST 2 includes 'Rhapsody' and 'Preludes' and the lines, from the latter, which most struck Lewis, 96 show that his radical notion of the new art could include transmutations of the Romantic: I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Yet the emotion here is clearly mediated through neo-Laforguean sophistication and it is the overall stylistic context which makes the dramatic cri de coeur stand out as remarkable.
Intertextual Dynamics within the Literary Group - Joyce, Lewis, Pound and Eliot: The Men of 1914 by D. Brown