By Mark Epstein

ISBN-10: 0307830098

ISBN-13: 9780307830098

For many years, Western psychology has promised achievement via development and strengthening the ego. we're taught that the appropriate is a robust, individuated self, built and strengthened over a life-time. yet Buddhist psychiatrist Mark Epstein has came across a unique way.

Going to items with no Falling aside indicates us that happiness doesn't come from any type of acquisitiveness, be it fabric or mental. Happiness comes from letting pass. Weaving jointly the accrued knowledge of his worlds--Buddhism and Western psychotherapy--Epstein exhibits how "the happiness that we search relies on our skill to stability the ego's have to do with our inherent means to be." He encourages us to sit back the ever-vigilant brain that allows you to event the liberty that comes purely from relinquishing control.

Drawing on occasions in his personal existence and tales from his sufferers, Going to items with no Falling aside teaches us that in basic terms through letting pass will we begin at the route to a extra peaceable and spiritually pleasurable existence.

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Additional info for Going to Pieces without Falling Apart: A Buddhist Perspective on Wholeness

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For Erik Zurcher has shown that here there is a deliberate reference to the messianic figure Prince Moonlight, the subject of an earlier spurious prophecy to the Sui ancestors of the empress, which he translates: 'He will patronise Buddhism on a grandiose scale, notably by the reproduction and spread of holy texts, the making of Buddha images of every kind, and the establishment of Buddha sanctuaries in all parts of the empirem. In the original 'reproduction' does not plainly signify printing, but 'sanctuary' does stand for stilpa.

Natural vigour and skilful use of cosmetics meant that she was even by the extraordinary standards of her career a rather exceptional old lady-a sort of Mae West figure, but with real pretensions to divinity. To judge from conventional sources, she was mainly engaged towards the end in an attempt to construct one last massive Buddha image. One of her earlier grandiose efforts made of lacquer still survived somehow, even though the structure destined to house it had not reached completion 104 . This new statue, however, was to be of bronze, and to stand on a mountain slope to the north of the city.

But here, as we shall see, the evidence of archaeology, unknown until the late twentieth century, does allow us to conclude that by 706 at the latest in Korea both three dimensional and textual relics were used in conjunction-and in the latter case, the text in question was so newly translated that it must have been deliberately distributed by the central authorities in China, whether at the behest of the empress herself or of her successor. And it must be stressed that there is plenty of evidence, some of which we shall review shortly, to show that the empress continued to be obsessed with relics and stupas for the rest of her reign.

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Going to Pieces without Falling Apart: A Buddhist Perspective on Wholeness by Mark Epstein


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