By Mary Hayes (auth.)
Read or Download Divine Ventriloquism in Medieval English Literature: Power, Anxiety, Subversion PDF
Similar english literature books
Hugo Grotius (1583-1645), "the miracle of Holland," used to be well-known as a baby prodigy, theologian, historian, Dutch political determine, escaped political prisoner, and eventually as Sweden's Ambassador to France. Addressing his contribution to diplomacy, this ebook severely reappraises Grotius' inspiration, evaluating it to his predecessors and analyzing it within the context of the wars and controversies of his time.
In early glossy scientific texts, extreme unfulfilled erotic hope is held to be a true and virulent ailment: it's categorised as a species of depression, with actual etiologies and treatments. Lesel Dawson analyzes literary representations of lovesickness when it comes to scientific rules approximately hope and wider questions about gender and id, exploring different ways in which wish is assumed to take root within the physique, how gender roles are encoded and contested in courtship, and the psychic pains and pleasures of pissed off ardour.
Groups have frequently formed themselves round cultural areas set aside and declared sacred. For this goal, church buildings, monks or students at the least writers usually perform giving sacred figures an area habitation and, occasionally, voice or identify. yet no matter what websites, rites, photographs or narratives have hence been developed, additionally they elevate a few complicated questions: how can the sacred be offered and but guarded, claimed but hid, staged in public and while saved specific?
Anglo-Saxon keyword phrases provides a sequence of entries that display the hyperlinks among smooth rules and scholarship and the imperative ideas of Anglo-Saxon literature, language, and fabric tradition. finds vital hyperlinks among valuable options of the Anglo-Saxon interval and concerns we predict approximately this present day finds how fabric culture—the heritage of work, medication, expertise, id, masculinity, intercourse, nutrients, land use—is as very important because the heritage of rules bargains a richly theorized strategy that intersects with many disciplines in and out of medieval experiences content material:
- Ceremonies of Bravery: Oscar Wilde, Carlos Blacker, and the Dreyfus Affair
- Landscape and Literature 1830–1914: Nature, Text, Aura
- T.S. Eliot - A Bibliography
- Randolph Bourne
- George Eliot's English Travels: Composite Characters and Coded Communications (Context An Genre in English Literature)
Extra resources for Divine Ventriloquism in Medieval English Literature: Power, Anxiety, Subversion
As Anglo- Saxon scriptorium riddles suggest, the necromantic power ascribed to the phonograph is not particular to the modern technological era and its novel contribution to the history of sound. It also underlies the medieval notion of voces paginarum explained by Isidore of Seville 36 DIVIN E V ENTRILOQUISM (c. 560–636) and, after him, John of Salisbury (c. 1120–80): the text’s written letters represent the voices of those not present to us. 32 In the voces paginarum conceit, the author’s voice is stored in his written text and resounds when the reader ventriloquizes his words, a process that anticipates the phonograph’s “reading” of vocal tracks inscribed on a record.
1–6) [Some enemy robbed me of life, stole my physical strength. Then he wet me, dipped me in water. He took me out again, set me in the sun where I quickly lost all my hair. 6 But then, what becomes of oral performances once written customs have been introduced? It would seem that they too succumb to the practices pertinent to written textuality. As we see in the inkhorn riddle (#92), the mutilated creature cannot even utter a complaint about its circumstances: siþþan mec isern innanweardne brun bennade blod ut ne com T H E TA L K I NG DE A D 29 heolfor of hreþre þeah mec heard bite stiðecg style no ic þa stunde bemearn ne for wunde weop.
The riddle’s reader has thus changed subject positions, from one who listens to scripture being read to one who reads it. , a listener’s at Mass), a rhetorical move that also repositions the reader from being part of the audience at the liturgy to the priest speaking the Bible’s words. In light of the T H E TA L K I NG DE A D 41 attention paid to this rhetorical act, we might ask: whose voice exactly is the reader ventriloquizing? Although the riddle’s critically endorsed solution is “the Bible” or “a gospel book,” the speaker’s self-designation as a teacher (10, lareow) also suggests another illustrious entity to whom the voice could belong: Christ.
Divine Ventriloquism in Medieval English Literature: Power, Anxiety, Subversion by Mary Hayes (auth.)