By Steven Heine, Charles S. Prebish

ISBN-10: 0195146972

ISBN-13: 9780195146974

ISBN-10: 1423763238

ISBN-13: 9781423763239

The heritage of Buddhism has been characterised by means of an ongoing stress among makes an attempt to maintain conventional beliefs and modes of perform and the necessity to adapt to altering cultural stipulations. Many advancements in Buddhist historical past, similar to the infusion of esoteric rituals, the increase of devotionalism and lay hobbies, and the assimilation of warrior practices, replicate the influence of frequent social adjustments on conventional non secular constructions. while, Buddhism has been in a position to continue its doctrinal purity to a amazing measure. This quantity explores how conventional Buddhist groups have answered to the demanding situations of modernity, corresponding to technology and expertise, colonialism, and globalization. Editors Steven Heine and Charles S. Prebish have commissioned ten essays through best students, each one studying a specific conventional Buddhist college in its cultural context. The essays reflect on how the stumble upon with modernity has impacted the disciplinary, textual, ritual, devotional, useful, and socio-political traditions of Buddhist concept all through Asia. Taken jointly, those essays exhibit the variety and energy of up to date Buddhism and supply a wide-ranging examine the best way Buddhism interacts with the trendy global.

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Steven Heine, Charles S. Prebish's Buddhism in the Modern World: Adaptations of an Ancient PDF

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Additional info for Buddhism in the Modern World: Adaptations of an Ancient Tradition

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In Sinhalese Buddhism, Vishnu is the protector of the nation. Legend has it that Vishnu originally excavated the Dambulla caves. Photo by Ellen S. Goldberg. Despite their origin, religious statues of this region are believed to adhere to the artistic canons of proportion found in the Sariputra, a north Indian Sanskrit text. The bulk of the Sariputra is devoted to the creation of Buddha figures in every imaginable pose, and provides the artist with meticulous dimensions and stylistic instructions.

At times, the scenes are accompanied by captions painted beneath the strip itself. Although the canons of proportion were utilized in paintings of the Buddha, it is not apparent in most Jataka or secular scenes. Characters are flat, twodimensional. In many ways, the Dambulla murals resemble wall paintings of ancient Egypt; the work is more epic in scope than artistic in the modern sense. Certainly we can envision technical improvements in the paintings, such as the use of perspective and division of the picture into several planes.

9. Culavamsa, 99:172. 10. Holt, The Religious World of Kirti Sri, p. 16. 11. , p. 47. 12. On Vishnu, known as Upulvan in Sinhalese Buddhism, as protector of Buddhism and patron of Sinhaladvipa, see Senarat Paranavitana, The Shrine of Upulvan at Devundara (Colombo: Ceylon Government Archaeological Department, 1953). 13. , Maitreya, the Future Buddha (New York: Cambridge University Press, 1988). 14. Quoted by Ananda Coomaraswamy, Mediaeval Sinhalese Art, 2nd ed. (New York: Pantheon Books, 1856), p.

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Buddhism in the Modern World: Adaptations of an Ancient Tradition by Steven Heine, Charles S. Prebish


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