By Tom Nolan
[Previously released as 3 Chords for Beauty’s Sake: The lifetime of Artie Shaw]
IN THE exuberant decade among 1935 and 1945, while America’s indigenous paintings form—jazz—was additionally the nation’s renowned track, no musical performer used to be extra recognized, debatable, in demand, and reviled than Artie Shaw: the intense, good-looking, outspoken, and unpredictable clarinetist and bandleader whose hit recordings (“Begin the Beguine,” “Frenesi,” “Star Dust,” “Summit Ridge Drive”) bought hundreds of thousands, whose marriages to numerous attractive girls (including motion picture stars Lana Turner and Ava Gardner) made headlines, who risked alienating his public through calling a wide chew of them “morons,” and whose widespread abdications from the dominion of swing earned him a name as jazz’s Hamlet.
With no formal education, Artie Shaw turned a virtuoso musician nearly with out peer: a clarinet participant motivated as a lot by means of trumpeters, violinists, pianists, or even painters as by way of fellow reedmen. His lyrical solos appeared to evoke visible photos: a chicken in flight, a tree moved via wind, a sailboat within the moonlight. On a ballad, his harmonically adventurous taking part in explored each lovely corner and cranny of a melody; on a rousing swing song, his euphoric horn soared excessive and joyous sufficient to elevate the roof.
He grew up as a participant within the Twenties jazz age of Bix Beiderbecke and Louis Armstrong; reigned within the Thirties and ’40s swing period along Benny Goodman, Duke Ellington, and Tommy Dorsey; navigated previous the ’40s bebop revolution of Charlie Parker and Dizzy Gillespie (who either well-liked his enjoying) to make attractive and memorable chamber jazz within the early 1950s—then, on the top of his powers, retired from appearing, prompting admirers ever due to the fact that to invite, Why?
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Additional info for Artie Shaw, King of the Clarinet: His Life and Times
65 The ‘election’ is thus transferred to a single person (Jesus). When this is coupled with the prediction that the Saviour of ‘Israel’ will be born of a virgin,66 the latter would constitute the third component of the triad, the holy spirit. 68 This aspect of Yhwh (having Asherah as a consort) must have been 20 T H E Q U E S T F O R U N D E R S TA N D I N G transferred to him after the worship of Yhwh became dominant over the worship of Baal. In view of the widespread popularity of Asherah, as was suggested earlier, her name probably forms part of the name ‘Israel’.
The building blocks or units of the Qur’an which have been mentioned or alluded to above cover the major part of the Qur’an, the framework of the Qur’anic discourse. There are other units in the Qur’an which will not be focussed upon in this work. These may be divided into two classes. The 47 AN OVERALL VIEW OF THE QUR’AN first pertains to rituals: fasting, food restrictions and pilgrimage. These rituals, especially those of the pilgrimage (Hajj), were well established and based on ancient rituals which were part and parcel of the annual festivities in Mecca and its surroundings as well as across the whole of the Arabian Peninsula and its periphery.
54 Possible origins of Christology Christianity was born when Paul (a Jewish rabbi with the Hebrew name Saul) adapted the message of Jesus by shifting the emphasis from preaching to the Jews to preaching to the non-Jews (the gentiles, mainly 9 T H E Q U E S T F O R U N D E R S TA N D I N G the non-Jewish Semitic elements forming the major part of the population in the area), and by developing Christology. The latter may have been an adaptation of the concept of a triad used in worship in ‘Arabia’ (see below).
Artie Shaw, King of the Clarinet: His Life and Times by Tom Nolan